Artist Donates Original Painting of First Televised Olympics to American Sport Art Museum & Archives

By August 15, 2018News & Events
Bob Zimlich gift edited IMG_2690

Local artist Robert Lord Zimlich, right, recently presented to the United States Sports Academy’s American Sport Art Museum & Archives (ASAMA) an original life-sized assemblage representing the first televised broadcasting of the Olympic Games. Accepting is Academy President and CEO Dr. T.J. Rosandich.

DAPHNE, Ala. – Local artist Robert Lord Zimlich recently donated an original painting, “First Televised Olympics,” to the United States Sports Academy’s American Sport Art Museum & Archives (ASAMA).

Zimlich presented the life-size assemblage to Academy President and CEO Dr. T.J. Rosandich.

Zimlich said the painting is one in his latest in a series representing firsts in sports history, from Sumerian cave art of boxing to the present. The 1936 Berlin Olympic Games were the first in history to be televised, as the Nazi government employed a closed circuit television system to broadcast the games as a propaganda tool to large viewing halls in Berlin and other locations, where tens of thousands viewed on small television screens.  Use of the new communications medium, whose development had been subsidized by the government, was also intended to highlight Germany’s sophisticated technology.

In the assemblage, Zimlich depicts the lighting of the Olympic torch on a facsimile of an actual-size vintage television set of the type used in the 1936 broadcast.  Featuring an eight-by-eight-inch screen, the 3-D depiction of the television involves six individually stretched canvases painted to reflect the appropriate wood and details accurate right down to the speaker and control knobs, which are identified with Germany text.  The television stands approximately three feet high by three feet wide.  To ensure accuracy, Zimlich contacted Loewe Technologies GmbH in Germany, who he said was “kind enough to provide me with a photo and drawing of that historic Loewe AG. television.”

Ironically, 1936 was the Summer Olympics when Nazi Germany’s claims of Aryan supremacy backfired as African-American Jesse Owens bested Germany’s top athletes to win four gold medals. Owens, an Alabama native, achieved international fame by winning the 100 meters, 200 meters, long jump, and 4 × 100 meter relay. He was the most successful athlete at the games.

“Adolph Hitler, wanting to use the 1936 Berlin Olympics as a propaganda tool, placed the television viewing stations in Berlin and around Germany for full coverage,” Zimlich said.

“You can bet they didn’t televise any of Jesse Owens’s events. He defied everything that Hitler and his Aryan Nation stood for and when he was successful, they had mud on their face.”

Zimlich’s current donation is part of a series he is doing on “firsts” in sports, media and popular culture.  Works completed or in progress include the postage stamp of Jackie Robinson, who broke the color barrier in professional baseball; the first sports byline in a newspaper; the first telegraph transmission; and the first cave drawings.

In addition to the Olympic television, Zimlich also donated to ASAMA two large prints by New York City artist TAFA depicting full boxing and basketball arenas.  TAFA is the 2009 ASAMA Sport Artist of the Year, Painter. Zimlich also donated two prints and one original by Harry Weber and depicting people in military service.  Weber, of St. Louis, Mo., was the ASAMA 2010 Sport Artist of the Year, Sculptor.

Zimlich said his gifts were the result of a long-time association with ASAMA, which he called “arguably the largest sport art museum in the world, thanks to the vision of Academy Founding President Dr. Thomas P. Rosandich.”

“People of this area who have not seen this museum have really been missing out, and I would recommend that everyone visit.  This art truly represents sports history. It was also a brilliant move creating the Sport Artist of the Year Award, and each year the competition for that award gets tougher.”

Growing up in his family’s florist business in Mobile, Zimlich credits his father, Bob Zimlich, with teaching him art composition.

“He had me making dried arrangements by time I was 10 years old.”

Zimlich went on to study at the Atlanta College of Art and served as president and a member of the Board of Directors of Cathedral Square Art Gallery in Mobile, Ala.  As a member of the Academy’s Art committee (1999-present) and former Art Curator (2005-2013), Zimlich worked to help support key functions of ASAMA, including participating in the selection of the Sport Artists of the Year.

The United States Sports Academy is an independent, non-profit, accredited, special mission sports university created to serve the nation and world with programs in instruction, research and service. The role of the Academy is to prepare men and women for careers in the profession of sports.

Founded in 1984, ASAMA is dedicated to the preservation of sports art, history, and literature. The ASAMA collection is composed of more than 1,800 works of sport art across a variety of media, including paintings, sculptures, assemblages, prints and photographs. The museum is open free to the public from 9 a.m. to 4 p.m. weekdays. For more information, go to www.asama.org.

The Academy is based in Daphne, Ala.  For more information, call (251) 626-3303 or visit www.ussa.edu.

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